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My village is Dharwad on the border of Karnataka and Maharashtra. Therefore, Marathi language is not unfamiliar to me. Besides, I was in Maharashtra for the decisive ten years of my life. I like Pune very much. At that time we have traveled all over Pune. Sweet memories of such a young age have been added. That is why I love Pune with all my heart.
My heart is filled with joy as I have my first Marathi book in Pune which is adorned with Marathi language. My Savuvhasha language is hard. That is why my novels have been published in Katrad. It gives me immense pleasure that my book Dollar Bahu is being published by Penguin. The original book, Dollar Sose, written in Kannada, has been translated into Marathi, Telugu, Tamil, Hindi, Malayalam and Gujarati, and has also been prescribed as a textbook for undergraduate students in some Karnataka universities.
This story can happen in any part of India but I have set it in Karnataka, the region most familiar to me. I hope the book will show some families that love and affection can be more important than money. This was my first novel in Kannada, written about three decades back.
It was extremely well received then. I had not seen the corporate world from close and only imagined how it functioned. But now, in real life, I have seen it all. I am aware that industrialization, technological progress and scientific advancement are necessary and bring prosperity to our country, but they have their own shortcomings.
They create a whole set of problems, sociological and psychological. This novel is set in north Karnataka in the s, so it may appear outdated in some parts. But the story is such that it can happen in any part of the country, even today. There must be innumerable couples who have been through, and are still going through, such dilemmas, be it in a small town or a mega city. I grew up in a village. At that time TV. The only chain is books. I was lucky in one respect: I had grandparents.
My grandfather is retired Was a schoolteacher. His obsession was enormous. Many Sanskrit texts were memorizing them. In the light of the stars twinkling in the sky in the outer courtyard every night Telling me stories. It is from these stories that early life begins I took many lessons from the time.
My grandmother, Krishnaa, popularly known as Krishtakka, was very bright and affectionate. She was also a great storyteller. She never gave us any sermons but taught the values of life through her stories. Those stories and values remain with me even now. I spent my childhood carefree, stress-free, with my cousins and grandparents at my hometown Shiggaon, a sleepy town in north Karnataka.
We shared everything there, whatever we had, and that became a great bond among us cousins. The binding force was my grandmother. I made some changes when I wrote the stories in this book but mostly it is a true reflection of my childhood. When my granddaughter Krishnaa was born, she elevated me to the position of grandmother. Often, I sense that there is a lot of myself in my stories, whether it is my friends or family or the people I meet.
However, the experiences that I write about are mine. I cannot disassociate from myself while writing about them. This book contains some of my most cherished experiences that are like beautiful flowers to me and have been put together here as if to complete a garland. While most of the experiences are from previously published books, there are two new flowers: one that highlights my literary journey and the other that elaborates on the true meaning of philanthropy.
This book is dedicated to my brother Shrinivas. Writing about him is easy enough and yet so difficult. I look like him, think like him, read like him and eat like him. I have enjoyed his company since he was bornï¿½I was the second child and he was the fourth. There was a small village in north Karnataka with a population of five to eight thousand.
It boasted of a beautiful lake with a temple of Lord Hanuman on its shore. The area was dotted with banyan trees. Aladahalli had only one main road, with houses on either side, and a bus stand right in the middle of the village. Most people who were from here preferred to stay on and commute for work to the cities nearby: Hubli and Dharwad. The advantages of staying in Aladahalli were a laid-back life, less noise and almost no pollution.
The greatest attraction though was the school, which was on a par with any city school, and where the medium of instruction was both English and Kannada. Just like in city schools, the students got a rank based on their merit. As the original North is from Karnataka, Marathi is not a foreign language in my view.
Three- I spent four years of my childhood in Kolhapur and Kurundwad. I was in Pune for eight important years of my youth. This is where I met my Narayan idol Done. Thus mine The relationship with Pune is matched. Since I am originally from Qatar, my feelings are in my mother tongue. Therefore, I have written all my novels in Kannada. This novel is in Telugu, Tamil.
Translated into Hindi, it won the admiration of many readers Is. Now it has been translated into Marathi and is reaching Marathi readers.
Hee It is a very happy event for me. The end of life is near. It is believed that. The culture and language of our North Karnataka is very different. Come on in The region has such a feature of its own. Some may be surprised to hear him speak directly and clearly; But come on Speech brings transparency to the personality. The people inside our village are one and the same They do not think so.
Apparently it was rough, but it was ours North Karnataka is perfect in softness and sentimentality. Of practicality and Despite the lack of clever conversation, it is extremely straightforward as a society.
Such I grew up in a society. These are all qualities I have in many difficult situations in life Have become guides. All of these individuals are apparently extremely normal. One day, shortly after the release of my last book in the market, I was on my way home from work when I thought about my unexpected literary journey. I felt blessedï¿½so fortunate to be in a position to help people, even as they found it in their hearts to let me inside their world and share their most private thoughts and problems with me.
So when I sat down to discuss this book with Shrutkeerti Khurana, my wonderful and trusted editor, and Udayan Mitra, my publisher at Penguin, I wanted to do something different. When I decided to write a book about women in mythology, I began my research and soon felt disappointed and disillusioned. I found that there is minimal literature that highlights the important roles that women have played. In fact, many rivers in our country are considered to be goddesses.
However, the number of stories that abound about these women is strangely far fewer than the number of stories that speak about men. The literature that does exist is frequently repetitive and women are usually cast as subordinate or minor characters and remain underappreciated. Audio Software icon An illustration of a 3. Software Images icon An illustration of two photographs. Images Donate icon An illustration of a heart shape Donate Ellipses icon An illustration of text ellipses.
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