Page Adobe After Effects Help Fine-tuning Animation Using Help Contents Index Back In the following descriptions of interpolation methods, the effect of each method is described as if you had applied it to all the keyframes for a layer property. This is done to clarify the examples.
However, you set the positions of Continuous Bezier direction handles manually. Adjustments you make change the shape of the Value graph or motion path segments on either side of the keyframe. If you create a new keyframe following a Hold keyframe, the new keyframe will use incoming Hold interpolation. Clicking the keyframe with the Convert Control Point tool creates a corner at the keyframe. On a Value graph, a corner results in an abrupt transition. Page Adobe After Effects Help Fine-tuning Animation Using Help Contents Index Back Mixing incoming and outgoing interpolation methods By default, a keyframe icon uses one interpolation method, but you can apply two methods: the incoming method applies to the property value as the current time approaches a keyframe, and the outgoing method applies to the property value as the current time leaves a keyframe.
Page Editing with the pen tool is similar to modifying a path in a drawing application such as Adobe Illustrator. When you use Bezier interpolation on a graph or path, you can control the shapes of corners, making them into smooth curves or angled corners.
Each dot represents a frame, based on the frame rate of the composition. Even spacing indicates a constant speed, and wider spacing indicates a higher speed. However, if you deselect the icon to the right of the property values, the graph line will not be resized; When you create this type of effect, the Speed or Velocity graph appears to rise quickly and peak.
Then click the triangle to the left of the property to display the Speed graph or the Velocity graph. Then choose Lock to Time from the Roving pop-up menu. For example, you can reverse keyframes in the Position property to reverse the motion of an object.
The window displays the current-time marker and a remap-time marker, which you move to select the frame you want to play at the current time. The bottom value is always a negative of the top value. The middle value indicates how fast the video is playing at the current time. No change B. Fast motion C. Freeze frame D. Backward motion To remap time in a Layer window: 1 Open the Layer window for the layer you want to remap.
By making subtle changes to the Velocity graph, you can create a variety of interesting effects. Page Specify the dimensions of the mask shape in the Mask Shape dialog box. To move a control point: Using the selection tool , drag the control point.
Therefore, a feathered mask shape should always be slightly smaller than the layer area. If a mask feather extends beyond the layer area, the feathered edge ends abruptly. Page Adobe After Effects Help Working with Masks and Transparency Using Help Contents Index Back Specifying which parts of a mask are inside and outside The image area inside the mask outline is fully opaque, and the area outside the mask outline is transparent.
To specify no mask as a target for changes: In the Layer window, select None from the Target pop-up menu. Using the special path-editing tools available in these applications, you can create a wider variety of shapes for your After Effects masks. The mask has no impact on the layer or composition. Layer modes cannot be animated using keyframes.
If you want a layer mode to change at a certain time, split the layer at that time and apply the new layer mode to the part of the layer that continues. Soft Light Darkens or lightens resulting colors, depending on the layer color. The effect is similar to shining a diffused spotlight on the layer.
Note: To get more powerful keying capabilities, use the advanced keying effects available in the Adobe After Effects Production Bundle.
Using Help Contents Index Page Applying Effects Help topic at any time. Working with effects When you apply an effect to a layer, the Effect Controls window opens; the effect is listed there. Drag left to decrease or right to increase a value. Often, these effect points enable After Effects to properly position the effect on the layer.
The more you zoom in, the more accurate you can be. Effect points for effects are interpolated throughout the area of the image. If you are setting keyframes for one property only, use Linear interpolation. The hold-out matte, however, is masked to include only the area of the image containing the key color that you want to preserve as opaque. Effects are categorized by functionality.
Because you can add new effects and delete unused ones at any time, your menu and submenu selections may be different than those described here. Select Use Coverage to create a cleaner matte by removing the color stored behind object. Adjust effects Use the Adjust effects to adjust color attributes such as brightness, balance, and levels in a layer. Page Using Help Contents Index Back To create a variety of interesting tonal and color effects, create or import curves and arbitrary maps from Adobe Photoshop.
Channel B. Histogram C. Input Black D. Output Black E. Gamma F. Output White G. Posterize Use this effect to specify the number of tonal levels or brightness values for each channel in an image. It simulates sound bouncing off a surface, such as a wall some distance away. You can also apply this effect to a layer that has no audio, such as an Adobe Illustrator object, to synthesize audio.
When you render the movie, make sure that you select an output format that supports audio—for example, QuickTime or Video for Windows. You can specify that the blur is horizontal, vertical, or both. At Best quality, the blur is smooth.
Use this effect for glow effects or if you want a blur that does not become transparent near the edges of the layer. Specify whether the blur is horizontal, vertical, or both. At Best quality, the Fast Blur effect is a close approximation of a Gaussian Blur, but it blurs large areas more quickly.
Page Using Help Contents Index Back hue, saturation, and luminance , and transparency values alpha channel. Alpha Levels PB only This effect increases or decreases the transparency of a matte. Use it to adjust pure black or pure white areas of a matte to be semitransparent or to adjust grays semitransparent areas to be pure black and white. Page Using Help Contents Index Back By carefully specifying the range, you can create a version of the image that faithfully resembles the original.
Compound Arithmetic This effect mathematically combines the layer to which it is applied with another layer. It is easier and faster to create traveling mattes using a track matte. Shift Channels This effect replaces red, green, blue, and alpha channels in the image with other channels.
Unaltered image B. Fitting a label to a jar C. Displacement map B. Map centered C. Map stretched D. Mesh Warp PB only This effect applies a grid of Bezier patches squares in the grid over a layer, which you can manipulate to distort areas of an image. Original layer with grid applied B. Animate ripples at varying speeds by creating keyframes for the Ripple Phase control.
Page Using Help Contents Index Back Transform in the Layer window menu, and then move the anchor point and the position to the upper left corner. You can convert a movie to grayscale by setting the Saturation to — Page Using Help Contents Index Back Adobe After Effects Help Applying Effects Using Help Contents Index Back The Color Difference Key produces high-quality keying for all well-lit footage items shot against a bluescreen or greenscreen and works especially well with images that contain transparent or semitransparent areas, such as smoke, shadows, or glass.
The transparency values in the thumbnail and Composition window are adjusted. Final Output must be selected for After Effects to render the transparency. You can use this key on screens that consist of more than one color or on bluescreen or greenscreens that have been unevenly lit and contain different shades of the same color. Page Using Help Contents Index Back Note: If there is no full-background frame in the shot, you may be able to assemble the full background by combining parts of several frames in After Effects or Adobe Photoshop.
For example, you can use the Photoshop rubber stamp tool to take a sample of the background in one frame, and then paint the sample over part of the background in another frame. Drag the entire bar left or right to position it under the histogram. Black point B.
Black softness C. White softness D. White point E. Cleanup Foreground paths increase the opacity along the path; Cleanup Background paths decrease the opacity along the path. For example, if you are keying out a medium-blue screen, you might lose some or all of a light-blue piece of clothing your subject is wearing. Note: The eyedropper tools move the sliders accordingly. For example, if you want to create a matte for musical notes on a white background, you can key out the brighter values; Original matte B.
Negative values used to spread borders C. Positive values used to choke Bevel Alpha This effect gives a chiseled and lighted appearance to the alpha boundaries of an image, often giving 2D elements a 3D appearance. Page Using Help Contents Index Back Note: This effect is a visual effect, not an audio effect, and it must be applied to a video layer. Audio Waveform This effect displays the waveform amplitude of an audio layer. You can display the audio waveform in a number of different ways, including along a Bezier path created by an open or closed mask of a layer.
Page Using Help Contents Index Back Pixels near the border appear chaotic noisy , but as you zoom in, a quite startling and beautiful structure is revealed. Using Help Radio Waves This effect generates waves from an effect point and can be used to create pond ripples, sound waves, or intricate geometric patterns. This effect uses the same Contour controls as the Radio Waves effect. You can also substitute bubbles with an image or a movie. Particle Playground PB only Use this effect to create animations in which a large number of similar objects must be animated independently, such as a swarm of bees.
Brush Strokes This effect applies a rough painted look to an image. You can also use this effect to achieve a pointillist-style look by setting the length of the brush strokes to zero and increasing the stroke density. This is especially true if you are using Adobe Photoshop arbitrary maps to color your glows. Page Using Help Contents Index Back Scatter effect over the time range without keyframes by randomizing every frame. Strobe Light This effect performs an arithmetic operation on a layer at periodic or random intervals.
The layer on which you animate text is trans- parent, unless you specify compositing. Time effects Use these effects to manipulate the timing of a layer. These effects use the source of a layer as the basis of time, so all effects previously applied to a layer are ignored when Time effects are applied.
However, you can also set keyframes for other controls to vary the effect over time. Transition effects Use these effects as transitions between one layer and another, or between several layers. Use the effects controls to adjust randomness and jitter. You can vary the rows and columns to create venetian blind and chinese lantern effects.
Gradient Wipe This effect creates transitions based on the luminance values of a second layer, called the gradient layer. Reduce Interlace Flicker This effect reduces high vertical frequencies to make images more suitable for use in an interlaced medium such as NTSC video. Using Help Contents If you are adjusting the position of a layer, the layer travels along the corresponding axis. However, changing the position of the layer anchor point or establishing a parenting relationship with other layers adds depth to a layer either relative to its anchor point, or to child layers.
The direction and angle of the shadows is determined by the direction and angle of the light sources. When you set a particular camera view for your composition, you look at the layers as though you were looking through that camera.
When you specify new values for the focal length, the zoom changes to match the perspective of a real camera. The World Axes mode aligns the axes to the absolute coordinates of the composition. A Spot light emits light from a source that is constrained by a cone, like the spotlight used in stage productions.
Page Using Help Contents Index Back The sets of 3D layers do, however, share both cameras and lights, since these two elements are global to the composition.
For example, if you write an expression on a layer named Solid Expression values The value of an expression is the value of the last statement evaluated. All layers follow the same path, and each is delayed. Creating a bulge between two layers Use an expression to synchronize the Bulge Center parameter of the Bulge effect in one layer with the position of another layer.
Many of the attributes and methods return other objects—look up those object types in this guide to determine how to continue your expression. The results have a bell-shaped distribution. The input is an array specifying red, green, blue, and alpha, all in the range of 0.
Layer attributes and methods Number width Returns the width of the layer in pixels. In Flowchart View, individual boxes or tiles represent each composition, layer, and footage item, including any applied effects. Page Adobe After Effects Help Managing Projects Effectively Using Help Contents Index Back To render the animation so that the shadows appear as if created by a single light source, you need to apply rotation before you apply the drop shadow effect.
Note: If the target composition is currently active in the Composition window, you can also drag the composition icon you want to nest directly into the Composition window. If you have a nested composition that you do not expect to work on any further, render the nested composition into a movie and use it as a proxy for the actual nested composition. This new composition takes the place of the selected layers—something that does not occur in ordinary nesting.
The more RAM you allocate, the faster it can render. No matter which setting you choose, After Effects makes the image cache more compact when you choose About Adobe After Effects, when you perform a RAM preview, or when you are between renders in the Render Queue.
The quality of the audio for a movie is determined by the settings in the output modules. Note: To view more information about the composition as it renders, click the triangle to the left of Show Details. Note: While the rendering process is paused, you will not be able to change settings or use After Effects in any other way, but you can use other applications. User Stopped The rendering process was stopped.
Motion Blur Determines when motion blur is applied. These templates appear in the Render Settings pop-up menu in the Render Queue window. You can specify a default render settings template for movie rendering as well as another for creating a single frame. Select Lock Aspect To if you want to retain the existing frame aspect ratio when stretching the frame size. Multiple effects per layer are unsupported.
For a list of QuickTime compressors, see the Adobe Web site. One frame of the composition is rendered at the current time as set in the Composition window. If you have a full licensed copy of the Production Bundle, you can set it up to work with render-only versions of After Effects. For a composition rendered at full resolution, the image quality is excellent when the Stretch Quality is set to High. For a composition rendered at full resolution, the image quality will usually be acceptable.
You can also use the wiggle expression to accomplish this. The window displays the layer you selected to track. Tracking accuracy Indicates how accurately each feature region is tracking at the current time.
Type a value that is slightly larger than the largest accuracy value for the problem frames. Watch the tracking to make sure it is accurate. If not, press any key to stop tracking, adjust the settings, and begin again. Motion Math can create complex changes for any property, using scripts included with the Production Bundle or scripts that you write. Note, however, that each of the prewritten scripts varies slightly in its application. Editing existing scripts makes it easy to create unique effects for your composition.
You can write scripts in the Motion Math script editor, or you can write them in any text editor and then load them into the Motion Math script editor. In the following example, the current value of the Position property in the layer called square1 is multiplied by 1. If the condition is false, Motion Math executes the statement after the else clause. In the following example, if the current time is less than 0. You can also stop a loop by pressing the Escape key Windows or both the Command and.
After you select a layer and load a script into Motion Math, both Property menus list all properties for all effects in the selected layer.
For example, the Position property requires two dimensions: one for the x- coordinate and one for the y-coordinate. Using mathematical functions and operations on vectors PB You can apply the Vector Paint effect to solid layers, to existing images on a layer, and to create mattes. The Eraser pointer appears as a circle with an X through it. If you are using an installed tablet with stylus eraser support, Vector Paint automatically switches to eraser mode when you use the stylus eraser.
When clicked, opens the Color picker dialog box. If you edit that value, all of the selected strokes are reset to the new value. There are many practice exercises available online that can help you hone your skills. Some of the best practices and exercises include:. Whether you are a beginner or an advanced user, there are tutorials available to suit your needs.
Beginner tutorials provide a comprehensive introduction to Adobe After Effect and are designed to help you understand the basics. Advanced tutorials, on the other hand, are designed for those who have a good understanding of the technology and are looking to improve their skills further.
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This free effect will help you create a beautiful, smooth slideshow that is 41 seconds long. One of the cool things to do in After Effects with this slideshow effect is to create a small promo of your adventures, highlight several key moments, and add some captions.
This effect contains a gradually falling and pouring multicolor liquid that resembles space. This dynamic template can be used for the ending of your video when you have credits that mention and thank all the people, who were working on the project. This free wedding title includes a drawing of two rings, a heart, an arch, and customizable text that slowly appears on the screen. Write your names and wedding date, and add this effect to the beginning of your wedding video.
This After Effects effects pack contains 30 unique, original 4K titles. Drawing 3D Logo Reveal is an adjustable effect that allows you to transform your personal logo into a 3D model. The effect contains 9 mind-blowing animated drawings done in different styles, 14 grid options, and 11 background styles paper, wood, stone, concrete, etc.
This built-in effect serves to add glow to any object you need like a logo or some text. The only drawback such After Effects effects suffer from is poor compatibility with transparency the color fades.
This effect can add variety to the foundation of virtually any design. By adjusting just a couple of sliders, you can elevate the background to a whole new level.
This amazing free plug-in allows you to stabilize your video in a couple of mouse clicks. The effect is applied automatically, and if you suffer from any problems, you can perform manual adjustments like smoothening abrupt movements, stabilizing and cutting. This free built-in effect is used for displacing or creating backgrounds featuring motion, transitions, clouds, fog, fire, water, paper, metal and other textures, watercolor and ink After Effects video effects, etc.
This effect offers a welcomed variety of settings, starting with color selection and ending with the number of particles.