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Use of word processing software It is important that the file be saved in the native format of the word processor used. The text should be in single-column format. Keep the layout of the text as simple as possible. Most formatting codes will be removed and replaced on processing the article. In particular, do not use the word processor's options to justify text or to hyphenate words. However, do use bold face, italics, subscripts, superscripts etc. When preparing tables, if you are using a table grid, use only one grid for each individual table and not a grid for each row.

If no grid is used, use tabs, not spaces, to align columns. The electronic text should be prepared in a way very similar to that of conventional manuscripts see also the Guide to Publishing with Elsevier. Note that source files of figures, tables and text graphics will be required whether or not you embed your figures in the text.

See also the section on Electronic artwork. To avoid unnecessary errors you are strongly advised to use the 'spell-check' and 'grammar-check' functions of your word processor. Article structure Subdivision - numbered sections Divide your article into clearly defined and numbered sections. Subsections should be numbered 1. Use this numbering also for internal cross-referencing: do not just refer to 'the text'.

Any subsection may be given a brief heading. Each heading should appear on its own separate line. Introduction State the objectives of the work and provide an adequate background, avoiding a detailed literature survey or a summary of the results.

Material and methods Provide sufficient details to allow the work to be reproduced by an independent researcher. Methods that are already published should be summarized, and indicated by a reference. If quoting directly from a previously published method, use quotation marks and also cite the source. Any modifications to existing methods should also be described.

Results Results should be clear and concise. Discussion This should explore the significance of the results of the work, not repeat them. A combined Results and Discussion section is often appropriate. Avoid extensive citations and discussion of published literature. Conclusions The main conclusions of the study may be presented in a short Conclusions section, which may stand alone or form a subsection of a Discussion or Results and Discussion section.

Appendices If there is more than one appendix, they should be identified as A, B, etc. Formulae and equations in appendices should be given separate numbering: Eq. Similarly for tables and figures: Table A. Concise and informative. Titles are often used in information-retrieval systems. Avoid abbreviations and formulae where possible. Please clearly indicate the given name s and family name s of each author and check that all names are accurately spelled.

You can add your name between parentheses in your own script behind the English transliteration. Present the authors' affiliation addresses where the actual work was done below the names.

Indicate all affiliations with a lower-case superscript letter immediately after the author's name and in front of the appropriate address. Provide the full postal address of each affiliation, including the country name and, if available, the e-mail address of each author.

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Please have a look at the examples here: example Highlights. Abstract A concise and factual abstract is required. The abstract should state briefly the purpose of the research, the principal results and major conclusions. An abstract is often presented separately from the article, so it must be able to stand alone. For this reason, References should be avoided, but if essential, then cite the author s and year s.

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The graphical abstract should summarize the contents of the article in a concise, pictorial form designed to capture the attention of a wide readership. Graphical abstracts should be submitted as a separate file in the online submission system. You can view Example Graphical Abstracts on our information site.

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Any references cited in the abstract must be given in full. Unpublished results and personal communications are not recommended in the reference list, but may be mentioned in the text. If these references are included in the reference list they should follow the standard reference style of the journal and should include a substitution of the publication date with either 'Unpublished results' or 'Personal communication'. Citation of a reference as 'in press' implies that the item has been accepted for publication.

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A DOI is guaranteed never to change, so you can use it as a permanent link to any electronic article. Aseismic continuation of the Lesser Antilles slab beneath northeastern Venezuela. Please note the format of such citations should be in the same style as all other references in the paper.

Web references As a minimum, the full URL should be given and the date when the reference was last accessed. Any further information, if known DOI, author names, dates, reference to a source publication, etc.

Web references can be listed separately e. Data references This journal encourages you to cite underlying or relevant datasets in your manuscript by citing them in your text and including a data reference in your Reference List. Data references should include the following elements: author name s , dataset title, data repository, version where available , year, and global persistent identifier. Add [dataset] immediately before the reference so we can properly identify it as a data reference.

The [dataset] identifier will not appear in your published article. Preprint references Where a preprint has subsequently become available as a peer-reviewed publication, the formal publication should be used as the reference.

If there are preprints that are central to your work or that cover crucial developments in the topic, but are not yet formally published, these may be referenced. Preprints should be clearly marked as such, for example by including the word preprint, or the name of the preprint server, as part of the reference.

The preprint DOI should also be provided. Reference style Text: Indicate references by number s in square brackets in line with the text. The actual authors can be referred to, but the reference number s must always be given. Example: ' Barnaby and Jones [8] obtained a different result Examples: Reference to a journal publication: [1] J. Hanraads, R. Lupton, The art of writing a scientific article, J.

Reference to a journal publication with an article number: [2] J. Lupton, The art of writing a scientific article. Reference to a book: [3] W. Strunk Jr. White, The Elements of Style, fourth ed. Reference to a chapter in an edited book: [4] G. Mettam, L. Adams, How to prepare an electronic version of your article, in: B. Jones, R. Smith Eds. Reference to a dataset: [dataset] [6] M.

Oguro, S. Imahiro, S. Saito, T. Nakashizuka, Mortality data for Japanese oak wilt disease and surrounding forest compositions, Mendeley Data, v1, Reference to software: [7] E. Coon, M. Berndt, A. Jan, D. Svyatsky, A. Atchley, E. Kikinzon, D. Harp, G. Manzini, E. Shelef, K. Lipnikov, R. Garimella, C. Xu, D. Moulton, S. Karra, S. Painter, E. Jafarov, S. Journal abbreviations source Journal names should be abbreviated according to the List of Title Word Abbreviations.

Video Elsevier accepts video material and animation sequences to support and enhance your scientific research. A novel of novels and of genres of novels, each of the parts is thus endowed with considerable autonomy � they tell different stories; whilst the fragments of which they are made also strain for their own independence, against narrative continuity. Instead of one image after the other, there is one image plus another.

Each part, however, in its relative autonomy is also connected to one or more of the others in a variety of ways: characters may cross the text, for example, travelling from the background of one part into the foreground of another. Such connections not only serve to emphasize the autonomy of parts � what is central to one part is not to another � but, as the text refocuses, endow it with a certain three-dimensionality or depth of field, as introduced into cinema by Gregg Toland, or an installation.

As I briefly suggest below, the latter is important with regard to part four of the novel. Here, Rosa is the name of literature in But there is another important dimension to her name. Rosa obliquely signifies here too. In The Antinomies of Realism , Jameson insists that the historical novel is a kind of transitional form between the romance and realism that endows the latter � and its represented present � with a particular sense of historicity.

It is thus also a formal revolution in literature. The historical novel as a genre cannot exist without this dimension of collectivity; which marks the drama of the incorporation of individual characters into a greater totality, and can alone certify the presence of History as such. Without this collective dimension, history, one is tempted to say, is again reduced to mere conspiracy, the form it takes in novels which have aimed for historical content without historical consciousness and which remain therefore merely political in some more specialized way.

The question is whether in war has become total ruination. From this point of view the novel can be read both as a historical novel of the future and as a work of science fiction. Its function which can take many forms, in this foundational instance the undermining of romance as a genre, along with the use of its idealizing values to foreground features of the social reality they cannot accommodate. Bernstein thus writes:. With the emergence into dominance of Stalinism, Bolshevism was coming to an end through self-annihilation, culminating in the execution of Bukharin in With the dictator as its de facto embodiment, the state can be narrated: it walks, talks, desires and plots.

As Adorno would have insisted: mimesis and construction. In a sense, each part reads the other. Although this also takes the form of a non-reading:. He thus remains the disavowed enigma that their institutionalized reflections demand. If at the end of the first part, the critics fanatically travel to Santa Teresa in search of Archimboldi, at the end of the novel Archimboldi does so too, in search of his nephew � they never meet.

Rosa and Fate do see his nephew, in jail for killing women. Each of the five parts of is focused through different kinds of intellectual. Each is associated with particular practices of writing and their respective institutions or ideological apparatuses, as Althusser would have called them.

And in so far as is a novel about critics, a philosopher, a journalist, a police detective and a novelist, it stages and performs writing: its subjects, its modalities and its varied social inscriptions. As we have seen, the first part is focused on literary criticism, presented � through the politics and romance of conferenceattending across European as if part of an Erasmus programme � as the administration of aesthetic experience as a specialized sphere of value in universities.

In one episode, driven by sexual jealousy and desire, Espinoza and Pelletier who are both visiting Norton in London turn on a Pakistani taxi driver and beat him ferociously in a racist attack. Such violence resonates out of Santa Teresa and through the other parts of as the primitive accumulation and reproduction of cultural capital. Everything else is damage control.

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